Fallen Empires, 22.5 x30 inches, Cyanotype and silk-screen print ink on Rives BFK paper, 2019

Fallen Empires, 22.5 x30 inches, Cyanotype and silk-screen print ink on Rives BFK paper, 2019


ARTIST STATEMENT

“My paintings, drawings and sculptures explore the colonial past, present, and future. By visually exploring counter-hegemonic narratives and representations of liminal space, the work collapses varied media, painting strategies, and intersections of Pop culture, history, and urban visual vernaculars. Many projects investigate the notion of culture as commodity, its relationship to the colonial past, and its continued effect on contemporary society. As a Los Angeles native, and a long-time Bay area resident, the California identity is an integral part of my inquiry when making greater relationships about cultural hybridity, resistance culture, manifest destiny, and interrogation of the American identity.”


ERACE SERIES

“Ain't No Future In Yo' Frontin'“, 40"x30", acrylic, spray paint, and wax pencil on canvas, 2017


Papel Chicano Dos

‘If La Virgen Returned’, spray paint and acrylic on paper, 2009 from Papel Chicano Dos

If La Virgen Returned

”Untangling the myriad of tentacles that our colonial history has deeply embedded in our psychology is not only difficult, but necessary for our cultural survival.  The Catholic Church has played a direct role in erasure and destruction of multiple indigenous communities and civilizations. This destructive past left behind a societal structure based on a hierarchy of power, with Native people and those of African descent on the bottom of that scale. In my work I revisit historical accounts, folk stories, and legends to create speculative narratives collapsing past, present, and future.  In 1994, during my Senior year in high school, there was a historic moment that continues to echo today and lead the inspiration for Native resistance worldwide reminding us of the long way we still have to go to remedy inequity, preserve Indigenous cultures, and better understand our own cultural hybridity. The following is part of the first communication by a resistance movement that inspired my project.”

-Pablo Cristi

Al Pueblo:
Hermanos y Hermanas:

“Somos producto de 500 años de luchas: primero contra la esclavitud, en la guerra de independencia contra España encabezada por los insurgentes, después por evitar ser absorbidos por el expansionismo norteamericano, luego por promulgar nuestra Constitución y expulsar el Imperio Francés de nuestro suelo, después la dictadura Porfirista nos negó la aplicación justa de las leyes de Reforma y el pueblo se rebeló formando sus propios líderes, surgieron Villa y Zapata, hombres pobres como nosotros a los que se nos ha negado la preparación más elemental para así poder utilizarnos como carne de cañon y saquear las riquezas de nuestra patria sin importarles que estemos muriendo de hambre y enfermedades curables, sin importarles que no tengamos nada, absolutamente nada, ni un techo digno, ni tierra, ni trabajo, ni salud, ni alimentación, ni educación, sin tener derecho a elegir libre y democráticamente a nuestras autoridades, sin independencia de los extranjeros, sin paz ni justicia para nosotros y nuestros hijos.

Pero nosotros HOY DECIMOS ¡BASTA!…” 

-EZLN 1994


SCULPTURE


ON INSPIRATION “There are many people who I support and am excited by what they make, but my true inspiration comes from the world around me. This often takes the form of “visual moments and intersections” I find in the city. Currently the City of Oakland and Los Angeles are my biggest inspirational grounds. I can find similar coded visual language in any big city with immigration populations and other marginalized communities. Inspiration is also an interesting word that deserves contemplation specifically in reference to this question. Inspiration to do what?”


THE WEST

“Scraperscape” 40"x80", acrylic, latex, and spraypaint on wood panel, 2013


PRINTMAKING

“Runa Uturuncu and Empire”, 22.5"x30", screenprint on ink on Rives BFK, 2018


How has covid affected your practice? “I’ve spent more time in the studio, but not a lot has changed. I have a love and hate relationship with humans and need to spend lots of alone time, so I already lived in semi-quarantined mode. What it has done though is remind me of the fragility of life and that the short time I have on earth I want to make what I want when I want and with purpose.”


ARTS EDUCATOR

Pablo Cristi in the Studio

Pablo Cristi on being an arts educator, from May 14, 2021 Artist Talk with Black Ball Projects


Artist Talk

Pablo Cristi Artist Talk, May 14, 2021.